How much do you actually get paid for a nude or porn shoot?
There is no useful single number because "a porn shoot" can mean almost anything.
A two-hour nude photo session near home, a faceless POV scene and a three-day explicit production in another country are all paid jobs. They do not have the same workload, exposure or production value, so comparing them by one headline rate is meaningless.
Start with scope. Photography, video or both? Nude, erotic or explicit? One scene or several? How many hours? How many days? Another performer? Travel? Face visible? Those details give the number context.
Then look at everything around the fee. A €900 booking close to home and a €900 booking that eats two travel days, flights, hotel and taxis are not the same deal. Sometimes travel is reimbursed separately. Sometimes it is built into the rate. What matters is knowing which before you say yes.
Usage matters too, even though it does not feel like work on the day. A narrow set of photographs used once is different from material that can be distributed worldwide for years, licensed, cut into promotional clips and repackaged later. You do not need to become a licensing expert, but you should understand what the producer is buying.
Payment timing is another part of the real rate. When do you get paid? In what currency? Is there a deposit? What happens if the production cancels? If the shoot expands into another day or additional content, is that a new fee?
A bigger number can hide a worse deal. Maybe it includes far more explicit work, far broader usage or much harder travel. A smaller number can be perfectly sensible for a short, tightly defined job. Compare the whole project rather than letting one number do all the thinking.
Being new does not automatically mean the lowest rate either. Some productions specifically cast for a natural newcomer look and value fit more than a long CV.
For my own work, the fee is discussed together with the project, travel, accommodation and publication. I would rather somebody understand what she is being paid for than simply hear a number she likes.
If you are comparing two offers, I would also ask what the production expects from you before and after the camera day. Is there a casting? Fittings? Rehearsal? Promotional material? Are you expected to post the release on your own social accounts? Is there an exclusivity period that prevents you taking similar work? Those things may not appear in the scene rate but they still cost time or restrict other income.
For newcomers especially, the best rate is not always the highest-looking number. A well-run first production can give you experience, useful material and a clearer sense of what you are worth next time. A chaotic high-paying job can also teach you something, just usually not the lesson you wanted.